The starting point for this work is in theories about the origin of oil, where one sees the wonder of the origins of the universe and millions of years of prehistoric life.
The question of how the earth's oil came to be is one people have been asking for a long time. In science today (as 100 years ago) the biotic theory of the origin of oil dominates. To put it simply, oil is the result of the following transformations: millions of years ago, as organisms and plants died, their remains became part of sedimentary rock, and when the layers of these rocks receded deep into the Earth, the so-called oil window came into being. That is, the layers were at a depth where the temperature was high enough to form oil, but not so high as to turn it into a thermal gas. Chemical reactions took place that turned the organic remains into oil.
But as often happens, the prevailing theory is periodically questioned by authors of alternative versions. In this case, we can talk about a set of abiotic theories, those theories that either exclude the remains of living organisms from the process of oil formation or that consider their contribution insignificant. According to one of these theories, the main oil reserves formed before the advent of life, at the point at which the Earth formed as a cosmic body. The factors are the same – exposure to high temperatures and pressure – while the material consists of organic compounds of non-biological origin such as methane, for example. At the present time, then, this oil appears to ooze up from the deep layers as condensation from rising gas fractions.
Among fans of alternative theories, one can even find those who believe that oil reserves can be restored very, very quickly, making this resource practically inexhaustible. But this is a completely marginal idea. In the process of collecting material, we also met with the slightly naïve, figurative ideas of the 1940-50s drillers, including the idea that underground there are oil rivers, oil lakes and seas of oil from which the material is extracted.
PJSC «Tatneft» oil company lead geologist Rais Salikhovich Khisamov.
The question of how the earth's oil came to be is one people have been asking for a long time. In science today (as 100 years ago) the biotic theory of the origin of oil dominates. To put it simply, oil is the result of the following transformations: millions of years ago, as organisms and plants died, their remains became part of sedimentary rock, and when the layers of these rocks receded deep into the Earth, the so-called oil window came into being. That is, the layers were at a depth where the temperature was high enough to form oil, but not so high as to turn it into a thermal gas. Chemical reactions took place that turned the organic remains into oil.
But as often happens, the prevailing theory is periodically questioned by authors of alternative versions. In this case, we can talk about a set of abiotic theories, those theories that either exclude the remains of living organisms from the process of oil formation or that consider their contribution insignificant. According to one of these theories, the main oil reserves formed before the advent of life, at the point at which the Earth formed as a cosmic body. The factors are the same – exposure to high temperatures and pressure – while the material consists of organic compounds of non-biological origin such as methane, for example. At the present time, then, this oil appears to ooze up from the deep layers as condensation from rising gas fractions.
Among fans of alternative theories, one can even find those who believe that oil reserves can be restored very, very quickly, making this resource practically inexhaustible. But this is a completely marginal idea. In the process of collecting material, we also met with the slightly naïve, figurative ideas of the 1940-50s drillers, including the idea that underground there are oil rivers, oil lakes and seas of oil from which the material is extracted.
PJSC «Tatneft» oil company lead geologist Rais Salikhovich Khisamov.
«The word "Devon" is possibly well known to any Almetyevsk resident. But where did it come from? It is known, that the great bulk of oil in current oil production derives from Devonian period (the smaller, yet not well developed part of oil-rich layers of rock comes from Carboniferous period). That is why the title for this geological period entered into various areas of modern life of Almetyevsk, to its local toponymy and practices of urban cultural construction (souvenirs, branding attempts etcetera). For instance, there is Devonskaya street, "Devon-Credit" Bank, young geologists club "Devon" in Almetyevsk.»
Nikita Petrov
Head of the Laboratory of Theoretical Folklore Studies, Russian Presidential Academy of National Economy and Public Administration (RANEPA); Associate Professor at the Center for Typology and Semiotics of Folklore, Russian State University for the Humanities (RSUH); Senior Researcher, Center for the Study of Folklore and Anthropology of the City, Moscow School of Social and Economic Sciences (Shaninka)
«In the case of the boiler room building, I wanted to kill the form since it deliberately dominated space not due to any architecture, but simply due to its bare mass. Additionally the taste of depressive industrialism was clearly felt, harmful to the place as a whole. The building and entire space around were infected by these characteristics.»
Andrey Voronov
Architect, artist, creator of the spatial layout of the project
Monumental wall painting created on a faсade or a blank wall of a building or any other urban architectural objects.
Polina Yozh
Project lead, curator, founder of the Institute for Research on Street Art
Anna Nistratova
Project lead, curator, founder of the Institute for Research on Street Art
«Artem Stefanov, an artist from Moscow and author of large-scale works on industrial facilities, rethinks theories of the origin of oil, as described by Tatneft chief geologist and Almetyevsk resident Rais Salikhovich Khisamov. Yet another important motif was the idea that present-day Almetyevsk and the surrounding oil region was, at the time of the formation of oil, the bottom of an ancient ocean, populated by prehistoric fish and other organisms.
All this became the basis of Artem Stefanov's work: the bowels of the earth, the pristine beauty of space, trilobites and other outlandish animals of the Devonian period are all found on the walls of the boiler room. The word "Devon," referring to the Devonian period, is, incidentally, very significant for Almetyevsk residents: in the professional slang of oil workers it refers to the highest quality oil.»
Work on «Theories of the Genesis of Oil», 2019.
«Artem Stefanov, an artist from Moscow and author of large-scale works on industrial facilities, rethinks theories of the origin of oil, as described by Tatneft chief geologist and Almetyevsk resident Rais Salikhovich Khisamov. Yet another important motif was the idea that present-day Almetyevsk and the surrounding oil region was, at the time of the formation of oil, the bottom of an ancient ocean, populated by prehistoric fish and other organisms.
All this became the basis of Artem Stefanov's work: the bowels of the earth, the pristine beauty of space, trilobites and other outlandish animals of the Devonian period are all found on the walls of the boiler room. The word "Devon," referring to the Devonian period, is, incidentally, very significant for Almetyevsk residents: in the professional slang of oil workers it refers to the highest quality oil.»
Work on «Theories of the Genesis of Oil», 2019.
Author
Artem Stefanov (Moscow)
Muralist and graphic artist
STFNV (as the name of this artist is usually written) has been engaged in graphic design and monumental art since 2007. In his large-scale murals, he transforms the spaces proposed for work using optical illusions, geometric patterns and glitch-art effects. At different periods of his artistic career, Artem was part of the Zukclub art group and collaborated with Arma17, organizers of techno raves in industrial spaces. For more than ten years he took part in more than thirty Russian and international festivals.
A work by Artem Stefanov at the Stenograffia Festival. Ekaterinburg, 2019.
STFNV (as the name of this artist is usually written) has been engaged in graphic design and monumental art since 2007. In his large-scale murals, he transforms the spaces proposed for work using optical illusions, geometric patterns and glitch-art effects. At different periods of his artistic career, Artem was part of the Zukclub art group and collaborated with Arma17, organizers of techno raves in industrial spaces. For more than ten years he took part in more than thirty Russian and international festivals.
A work by Artem Stefanov at the Stenograffia Festival. Ekaterinburg, 2019.
ООО «ТЕОРИЯ И ПРАКТИКА УЛИЧНОГО ИСКУССТВА» ИНН: 7810474682 КПП: 784201001 ОГРН: 1167847291545 ОКПО: 03512611 ОКВЭД: 90.0 (Деятельность творческая, деятельность в области искусства и организации развлечений) Расчетный счет: 40702810455160005262 Банк: СЕВЕРО-ЗАПАДНЫЙ БАНК ПАО СБЕРБАНК БИК: 044030653 Корр. счет: 30101810500000000653 Юридический адрес: 191040, Санкт-Петербург г, Лиговский пр-кт, дом 50, литера Н, помещение 16-Н офис № 56 Телефон: 401-44-90 Генеральный директор: Фиева Полина Григорьевна